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Secondly, we recently highlighted an issue with heat and noise associated with which port is used for charging the MacBook Pro. Here is the list of apps he suggests help reduce heat and noise Here’s how.Ĭommunity member Simon Nakra sent me this excellent video explaining how the MacBook deals with heat and cooling - it’s excellent and show you apps to help you control the issue.

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Neither are true and with some thought you can have a MacBook Pro running in your studio and not know it’s there. Now the million dollar question - you’ll hear all sorts of claims about using a MacBook Pro for studio work, including they are silent or conversely that the fans run at 100% all the time. A Thunderbolt 3 to Thunderbolt convertor is used to connect the Caldigit to the Elgato which is turn feeds my HD colour grading monitor and Thunderbolt 2 cable daisy chains first to a Black Magic MultiDock TB2, then my Apogee Ensemble then thru to a single optical Thunderbolt 2 cable runs to my cupboard and connects to about 10 drives as well as a Sonnet SE-1 Thunderbolt 2 expansion chassis that holds UAD card as well as a USB-3 high data rate card for USB-3 drives.Īt the end of my time in the studio I simply eject all connected drives and unplug one lead - the bonus is the MacBook is charged via the Caldigit TS3 hub, so I don’t even have to connect a power supply.

I plug a Thunderbolt 3 cable to the Caldigit TS3 Plus, this then connects to my 4K LG monitor, Optical audio when required and to the USB-3 Hub where all my USB peripherals are connected. Not wishing to end up with dongle hell and knowing I had a lot of Thunderbolt 2 drives, USB-3 and two monitors to connect I decided to plan it around three core devices.Īll this may look like a ball ache but with some pre-planning I now have 1 connector from my MacBook to everything in my studio. Job Two - Connect External PeripheralsĪ MacBook Pro has 4 Thunderbolt 3/USB-C connections and anyone who uses a modern studio will know that 4 ports is not going to get you very far. That’s all pretty simple BUT you must do it before you format a drive that contains them as in some cases you can’t deauthorize them after the event.

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It’s pretty easy as it’s a Mac all my personal data is either sitting on the cloud, in Dropbox or my email is in the cloud.Īs already said, all the content is on external drives so there’s not much to lose, one thing to check though is that any machine based licences may need to to be moved back off the machine, Waves is one example, or deauthorized so I don’t run out of machine activations on any particular account. However my studio machine has had some odd moments so I decided to start fresh. When I get a new Mac I normally make a copy of the old machine and port it to the new one, I would do this job using Carbon Copy Cloner to make (as the name suggests) a carbon copy of the other machine.

Here’s what I’ve discovered over the last week. I decided to move all my work to the MacBook to see if I ran out of power or had other issues, namely heat and noise. I went ahead and ordered a MacBook Pro (16-inch, 2019), 2.4 GHz 8-Core Intel Core i9 with the idea of replacing my Mac Pro Late 2013 12 Core. So, like many, any solution that adds noise to the equation is off the table for me. It means I also have a machine room, in the form of a cupboard from IKEA that houses all my hard drives, see below. Anyone who has followed me for any time will know that I’m borderline OCD when it comes to noise in the studio, this has meant me replacing fans in an Avid Omni. However, the elephant in the room is fan noise. As I’ve already said, the performance of the new i9 based MacBook Pro is on a par with some desktops, that is of course unless you want to launch the Space Shuttle then you go for the new Mac Pro 7,1. However when I looked at the results of tests on things like the Mac mini for use in the studio it started me wondering if I could rationalise my set-up into one machine, that being one of the powerful MacBook Pro 8 core i9 models at the top of the range? Disc space wasn’t a concern as any media based content has lived on external drives for several years now. I’m sure I’m not the only person who has used this arrangement as a solution that gives me power for my studio work and portability for when I travel.

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Is it possible to run a studio using a MacBook Pro and be noise free? Russ Hughes decided to put it to the test and with a combination of hardware, software and practical solutions he has got some surprising results.įor many years I’ve been running two Macs, a Mac Pro 6,1 Trash Can as my studio machine and a MacBook Pro for my second, portable machine.

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